Brecht, who was German but left when the Nazis came to power, also expressed his opposition to the National Socialist and Fascist movements in other plays such as Mother Courage and Fear and Misery of the Third Reich. See also: Adolf Hitler's cult of personalityĪnother early example of a cryptic depiction is in Bertolt Brecht's 1941 play, The Resistible Rise of Arturo Ui, in which Hitler, in the persona of the principal character Arturo Ui, a Chicago racketeer in the cauliflower trade, is ruthlessly satirised. There are numerous cartoons satirising his distinctive features, such as those by David Low. George Bernard Shaw's 1936 play Geneva includes a caricature of Hitler as Herr Battler, appearing at an international tribunal with his friends Signor Bombardone (Mussolini) and General Flanco (Franco). Outside Germany Hitler's persona was often parodied. Many critics consider Fritz Lang's depiction of a homicidal maniac masterminding a criminal empire from within the walls of a criminal asylum to be an allegory of the Nazi ascent to power in Germany. Mabuse) from 1933, which was banned by the Nazi propaganda ministry. Īn exception was the German film Das Testament des Dr. After the Nazis came to national power in January 1933, Hitler was mostly depicted as a god-like figure, loved and respected by the German people, as shown for example in Triumph of the Will, which Hitler co-produced. The photomontagist John Heartfield regularly depicted Hitler in absurd ways in his anti-Nazi poster designs. In Germany, before he came to power, Hitler was often portrayed satirically in newspaper cartoons and propaganda by political enemies. Numerous works in popular music and literature feature Adolf Hitler prominently.
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